A Teaser...
For many
historians, the pamphlet wars of the seventeenth century largely define the
English Revolution as the first modern revolution “complete with a nascent
public sphere, people beginning to perceive themselves as public actors, and,
most importantly, a free press that empowered both” (Wheeler 340). It was in
this context that Milton’s political pamphlets—including Areopagitica, which defends the very principles the
seventeenth-century pamphleteering depended on—was published. The novelty of
widespread, printed public debate was not lost on those of Milton’s era. Bookseller
George Thomason, Milton’s friend, collected some 22,000 pamphlets
and other
publications between 1640 and 1660 to commemorate their historical significance
(Pooley 231). In contrast, Royalist detractors—publishing their criticism in
pamphlets, ironically—often used post-Babel babble as a symbol for the budding
public sphere and to “restore authority to the King’s language” (Holston 18).
When read in this
context, Book XII appears to riff on Royalist Babel rhetoric. The “hoarse and
incoherent warfare” (Abrams 1506) of the pamphleteers may bear a striking
resemblance to Babel’s confusion, but as Paradise
Lost identifies the Tower of Babel as a throne or royal palace—“what food will
he convey up thither to sustain himself and his rash army,” Adam asks the
archangel, deriding Babel’s royalists—Milton suggests Britain, like Babel was
set in confusion by God to curtail “authority usurped, from God not giv’n”
(XII.66-76). Book XII justifies even artless political pamphlets, “though to
the tyrant thereby no excuse” (96). Evidently Milton believed man’s fall from
Eden was not the only felix culpa in the Bible.
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